AUDIO ENGINEERING & MIXING-MASTERING
Because music is so often associated with emotion and memory, the correct song matched with the right visual medium will leave a lasting impression on your audience. It all boils down to individuality in the end. The golden egg of marketing is original music mixed with unique media. If you can give your audience something they will remember warmly, you’re doing something correctly.
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SOUNDTRACKS CREATED BY YOU
PERFECT AUDIO
Every part of your video’s audio should be perfectly clear. It is the only means of communication.
PERFECT EDITING
Because no video is produced in a single take, it’s becoming increasingly necessary to collaborate with an audio production company that can flawlessly piece sounds together.
THE WORKFLOW
AUDIO IN THE FIELD
To begin, we employ cutting-edge microphones, preamps, and connections to assure a clear signal from beginning to end. We use cordless lavalier microphone setups during production to ensure that your audio recordings are compatible with any mixing application. Then, to ensure the finest quality from every take, we record all media on two separate drives and time-code your media to prepare it for any usage.
MIXING OF AUDIO
We meticulously balance your field audio in the studio to achieve the correct blend of high and low frequencies, individual voices, and music, which makes a significant impact in the sound and feel of your media. Having a balanced mix is vital in generating the mood and intensity you want in your sound, whether we’re mixing a commercial advertisement, film, or album.
AUDIO IN THE FIELD
To begin, we employ cutting-edge microphones, preamps, and connections to assure a clear signal from beginning to end. We use cordless lavalier microphone setups during production to ensure that your audio recordings are compatible with any mixing application. Then, to ensure the finest quality from every take, we record all media on two separate drives and time-code your media to prepare it for any usage.
OUR AUDIO EQUIPMENT IS AVAILABLE TO YOU.
In a 2U size, the Avalon VT-737SP contains TUBE preamplifiers, an opto-compressor, a sweep equalizer, output level, and VU meters.
The VT-737SP accepts three types of input:
The VT-737SP has a more powerful microphone input transformer with +48v phantom selection.
The instrument DI high source input jack is placed on the front panel.
Line input is balanced, and the output is discrete high-level Class A.
The class A preamplifier employs two cascaded, dual vacuum tube triodes with low negative feedback. A high gain switch raises the preamplifier’s total gain. The four premium tubes are set up as single-ended anode coupled followers. The input signal conditioning is completed by a passive-variable high-pass filter and a hardwire relay bypass.
Apogee Symphony is a modular multi-channel audio interface with high-quality AD/DA conversion and microphone preamps.
Symphony I/O is the ultimate music production centerpiece for any modern studio, designed to give professional sound quality for audio recording, mixing, and mastering on a Mac. Connect Symphony I/O to any Thunderbolt, Pro Tools HD, or USB audio workstation on a Mac.
Exceptional Audio Quality
Symphony I/O is the pinnacle of Apogee’s award-winning design experience spanning 25 years. Apogee experts built an exceptionally efficient circuit and power design using the most sophisticated components available, resulting in a considerable gain in audio clarity and transparency above any previous Apogee product.
The F4 contains four XLR/quarter-inch combo jacks, while the F8 has eight, allowing several microphones (or other audio sources) to be connected at the same time.
Zoom has made a bold breakthrough into the realm of truly professional recorders with the F4 and F8. They’ve upgraded the sound quality and included professional touches like:
- balanced outputs at the line level
- inputs and outputs of time code
- hirose electrical connections
- Multiple memory-card slots allow for flexible internal audio signal routing.
The Schoeps CMC6-U microphone preamp features a balanced output stage as well as a +12 to +48V phantom power supply for the Schoeps Colette series modular capsules. The transformer-free output stage offers consistent low-noise audio reproduction.
For usage with common microphone inputs and preamplifiers, the CMC6-U is terminated with a standard balanced 3-pin XLR connection. It may be utilized with very long connections and is RFI (radio frequency interference) resistant.
PRO TOOLS + LOGIC + FAIRLIGHT RECORD.
MIX. EDIT. PERFECT.
Every sound is addressed, including conversation cleanup, audio restoration, automatic dialogue replacement, Foley, and sound effect design. Our audio engineering and mastering software is at the cutting edge of the industry. We not only have a gorgeous creative suite with the industry’s best software products, but we also have a skilled team of audio engineers and musicians who are dedicated to their profession. What’s more, when it comes time to edit trailers for your feature film, we’ll offer you access to The Delorean’s portfolio of unique music. You will have hundreds of music to chose from so that your trailer is as unique as you are.
-- LOGIC --
-- PROTOOLS --
-- FL STUDIO --
-- ABLETON --
THE DELOREAN IS A MUSIC PERSONALITY FROM US
To provide our clients a creative edge over the competition, The Delorean develops and composes original music. There is nothing we cannot create with over 500 bespoke tracks in our library and the possibility to alter The Delorean’s music with fresh lyrics, new tempos, and heavier drops. This additional service has no monetary value. The volume of stuff that is published online today overwhelms users. As a result, it’s getting increasingly difficult to demonstrate your brand’s uniqueness when you’re competing for your audience’s attention right away. However, with a completely distinct soundtrack driving the emotions in your film, you’ll have a lot better chance of making an impression and gaining attention.
We distinguish ourselves from other marketing firms or post-production houses by creating music in-house, which allows us to design musical tracks to exemplify every component of your media in order to satisfy your individual objectives. We do not use third-party music sources. You can collaborate with our team to achieve the exact music or sound you want. This is a tremendous advantage, especially if your company operates in a highly competitive market. Brands are frequently forced to “share” audio tracks, rendering their material unoriginal. You can choose from The Delorean’s music portfolio of unused tracks and soundbites while working with us, or commission or to construct a sound exclusively for your production needs.
INTERNAL RECORDING STUDIO
Our studio is set up to allow you creative flexibility. As a result, our area can be customized and used in a variety of ways. In our opinion, one of the most important aspects of creative freedom is the ability to incorporate and build emotion into your production in a variety of ways. Because music is at the heart of emotion, we equipped our studio with a variety of recording options for your convenience. With a variety of nooks and crannies to pick from, a magnificent piano, a working stage, a cyc wall, and multiple power sources/adapters, you can give your video the precise sound and feeling you imagined. We also offer a fully equipped recording studio with high-quality equipment for hire. All of this makes filming and mastering your next production more difficult.
THE ADVENTURE OF THE PIANO
We shot this commercial for our BREW Next Door bar to showcase our burgeoning evening culture.
This is an excellent illustration of what you can accomplish both musically and visually in our studio. The ability to film and record audio in the same spot is a significant advantage. This not only reduces your costs and streamlines your production schedule, but it also lets you to include stylish b-roll film of your musical process, which audiences enjoy seeing.
Even if you decide to edit audio into the final result, having the option to film with a live musical accompaniment can assist keep your video’s emotions in check. This will not only inspire and direct your
NARRATIVE + VOICE OVER
We use Kaotica’s Eyeball to record narration voice-overs. This device stops undesired off-axis sounds from entering the microphone, allowing for clearer recordings. The Kaotica Eyeball is also intended to channel more vocal sound energy into the microphone, improving overall narrative clarity and emphasis. We’ll ask you to read your script at several tempos and with different emphasis during the voice-over recording process. Having a variety of takes to pick from guarantees that your narration only includes the greatest parts of your reading.
The commercial productions shown below include in-house voice recordings.
MAGIC LEAP
BROWARD CENTER
DENISON YACHTS
NARRATIVE + VOICE OVER
We use Kaotica’s Eyeball to record narration voice-overs. This device stops undesired off-axis sounds from entering the microphone, allowing for clearer recordings. The Kaotica Eyeball is also intended to channel more vocal sound energy into the microphone, improving overall narrative clarity and emphasis. We’ll ask you to read your script at several tempos and with different emphasis during the voice-over recording process. Having a variety of takes to pick from guarantees that your narration only includes the greatest parts of your reading.
The commercial productions shown below include in-house voice recordings.
SABELA
SAM STAN
AMANDA FELIX
“Native Production approached our One Step music video like seasoned professionals. Not only did they create a killer music video with a tale we were pleased to portray, but they also ensured that our sound remained consistent, which is crucial. Always.”